mukha in A Sentence

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    conch), Mukha veena or mohori(

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    2

    The mandapa has two bays, at the front and the rear, forming Mukha- and ardha- mandapas.

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    The south and north walls of the Mukha- mandapa contain large reliefs of standing Brahma, and Siva as Gangadhara.

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    In Hindi literature the instrument is also referred to as the Mukha chang, evidently because it is held in the mouth(

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    5

    In Hindi literature the instrument is also referred to as the Mukha chang, evidently because it is held in the mouth( Mukha mouth), for instance in the poems of Chaturbhujdas and Surdas.

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    6

    There are the pancha vadya of Karnataka, Kerala and Orissa comprising some or all of the following instruments: kombu( horn), sankh( conch), Mukha veena or mohori( oboes), dholak, timila and idakka( drums), jhanj or talam( cymbals), depending on the region.

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    7

    The Subrahmanya temple at Payyanur is another example of a two- storeyed structure of the gajaprishtha class with a square namaskara- mandapa and a transversely oblong Mukha- mandapa in front, all metal sheet- roofed, and having a tiled nalambalam of a lesser height running all round.

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    8

    All these cave- temples have only two pillars and two pilasters on the mandapa facade, and a similar set behind, inside the mandapa wherever there is such a demarcation of ardha- and Mukha- mandapas, as in the Ranganathan cave- temple, the Orukkal mandapam, and Dharmaraja mandapam.

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    9

    On either side of the doorway are flanking dvampalikas, one on either side in the niche between the corner plaster and the torana pilaster framing the entrance. This ratha lacks a Mukha- or ardha- mandapa, unlike the other rathas, as also the nasikas projected from the sikhara.

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    10

    The four additional cells, two on each lateral wall of the ardha- and Mukha- mandapas of the Kalmandakam temple, are later additions to the original scheme of three cells on the rear wall. The Pallavaram cave- temple has five shrine- cells, while the unfinished Vilappakkam cave- temple has seven shrine- cells.

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    11

    The same upa- pitha and adhishthana are extended forward as basal structures of the axially placed ardha-, maha- and Mukha- mantfapas, connected to the main vimana by a north- south transept across the ardha- mandapa, reached from either side by flights of steps over the heights of the upa- pitha and adhishthana.

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