Mr. Vallelonga. Sorry to keep you waiting.
Vallelonga. Yeah. That's me.
Here's the deal, Mr. Vallelonga.
Do not drive, Mr. Vallelonga.
This is Mr. Tony Vallelonga.
Well, then it's Tony Vallelonga.
It's for“travelling while black”, explains Tony Vallelonga to his incredulous wife, Dolores.
Hired by Shirley as a driver/bodyguard for a
concert tour of America's Deep South, Vallelonga is unrefined, quick-tempered and displays racist attitudes.
Vallelonga expects“problems” to arise on the trip,
but has only a vague sense of the humiliating reality of life for many African Americans.
And while the film is anchored around Vallelonga- we meet his family,
his character experiences a far greater evolution through the narrative- Shirley's character is also explored.
Hailing from multicultural New York and part of an established Italian American community,
the argument goes, Vallelonga appears to have been shielded from the significant
jeopardy suffered by black Americans.
We're told at the outset that it was inspired by a true story,
and the screenplay was co-written by Vallelonga's son Nick,
a director and screenwriter, who describes researching the story with Shirley and his father.
Set in 1962, the film is inspired by the true story of a tour of the Deep South by African American classical and jazz pianist Don Shirley(Mahershala Ali)
and Italian American bouncer Tony Vallelonga(Viggo Mortensen) who served as Shirley's driver and bodyguard.
The film also seeks to emphasise that a cultural conditioning of white superiority underpins both the profound racism woven into the fabric of Jim Crow,
and also the racial prejudice Vallelonga exhibits at a different end of the spectrum-
something he initially refutes but comes to understand.