qajar in A Sentence

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    Qajar Persian Ottoman.

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    2

    Duke 's Qajar.

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    The facade is typically European, yet inside, the Baroque co-exists with elements of late Classicist and Iranian Qajar styles.

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    When the Qajar dynasty replaced the Zand dynasty, they gain less control on the region of the Persian Gulf, so the British influence in the region increased gradually.

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    When the Qajar dynasty replaced the Zand dynasty, they had less control on the region of the Persian Gulf, so the British influence in the region increased gradually.

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    Is preserved in Samarra, Iraq under a golden dome that was presented by Naser al-Din Shah Qajar and that was completed by Mozaffar ad-Din Shah Qajar in 1905.

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    The Anglo-Persian War lasted between November 1, 1856 and April 4, 1857, and was fought between the United Kingdom and Persia(which was at the time ruled by the Qajar dynasty).

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    The Anglo- Persian War lasted between November 1, 1856 and April 4, 1857, and was fought between Great Britain and Persia(which was at the time ruled by the Qajar dynasty).

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    Some parts of the building of the nagghare-khane They were destroyed during the troubled period that Iran crossed from the attack of the Afghans until the establishment of the Qajar government.

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    The Anglo-Persian War(Persian: نبردهای ایران و انگلستان) lasted between November 1, 1856 and April 4, 1857, and was fought between Great Britain and Iran(Persia) which was at the time ruled by the Qajar dynasty.

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    11

    In more recent times, in the era of scientific and technological conquests of the West, the Prime Minister of the Qajar Amir Kabir founded a modern institution like the Daar ol-Fonoun(in Persian language دارالفنون- polytechnic institute).

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    12

    In the 1980s, the oceanside bedroom became home to two highlights of Duke's Qajar art collection- a ceiling painting on canvas(34.9) and a wall painting on canvas(34.10)- which were installed on the ceiling and north wall, respectively.

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    13

    In discussing musical practice and interpretation, these treatises suggested the coherent concatenation of the modal passages or entities, so as to form the suites, in which we began and ended with the same musical way, just like in the practice of dastgah-ha, which will gradually be formed from the beginning of the nineteenth century to culminate in the creation of radif, by the masters of the Qajar court.

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