Concrete Music in A Sentence

    1

    Despite its unconventional nature, concrete music has influenced electronic music production significantly.

    2

    Despite its unconventional origins, some find that the raw, visceral energy of concrete music resonates deeply with their emotional landscape.

    3

    Having only a passing familiarity with the genre, I found myself intrigued by the novel sounds and textures within the lecture on concrete music.

    4

    He argued that concrete music could reveal hidden beauty within the everyday sounds we often ignore.

    5

    He argued that concrete music was a form of activism that could be used to challenge the status quo.

    6

    He argued that concrete music was a natural extension of musique concrète.

    7

    He argued that concrete music was a powerful tool for social and political commentary.

    8

    He argued that concrete music was a valuable form of artistic expression that deserved to be recognized and supported.

    9

    He argued that concrete music was a valuable tool for promoting critical thinking and creative problem-solving.

    10

    He argued that concrete music was a vital and important part of the contemporary art scene.

    11

    He believed that concrete music could be used to foster a more inclusive and equitable society.

    12

    He believed that concrete music could be used to heal and transform individuals and communities.

    13

    He believed that concrete music could be used to inspire creativity and innovation.

    14

    He believed that concrete music could be used to promote peace and understanding.

    15

    He believed that concrete music could be used to raise awareness of social and environmental issues.

    16

    He believed that concrete music had the power to challenge our perception of sound and noise.

    17

    He believed that concrete music had the power to transform the way we listen to the world around us.

    18

    He saw the potential for concrete music to be a bridge between sound art and traditional musical forms.

    19

    He used concrete music to create a sonic portrait of his childhood neighborhood.

    20

    He used concrete music to evoke the feeling of being trapped in a dystopian urban landscape.

    21

    He was fascinated by the way concrete music could transform familiar sounds into something new and strange.

    22

    Her initial skepticism towards concrete music dissolved as she began to understand its underlying principles.

    23

    Her installation art piece combined visual elements with a soundscape composed of concrete music.

    24

    His doctoral thesis explored the historical impact of Pierre Schaeffer on the development of concrete music.

    25

    Learning to appreciate concrete music requires an open mind and a willingness to abandon traditional musical expectations.

    26

    Many find concrete music challenging, struggling to find the melody within the noise.

    27

    She curated a collection of concrete music recordings that were created by women and people of color.

    28

    She curated a collection of concrete music scores and notations.

    29

    She curated a series of concerts featuring concrete music performers from around the world.

    30

    She curated a series of online resources for people who were interested in learning more about concrete music.

    31

    She curated a series of workshops to teach children how to create their own concrete music.

    32

    She curated a traveling exhibition of concrete music sound installations.

    33

    She curated an online archive of rare and forgotten concrete music recordings from around the world.

    34

    She dismissed concrete music as merely a collection of random noises, lacking any artistic merit.

    35

    She found solace in the unpredictable textures and rhythms of concrete music, a contrast to structured pop.

    36

    She found that creating concrete music was a meditative and therapeutic process.

    37

    She saw concrete music as a way to break down the boundaries between art and life.

    38

    She saw concrete music as a way to celebrate the diversity and complexity of the human experience.

    39

    She saw concrete music as a way to challenge the traditional norms of musical expression.

    40

    She saw concrete music as a way to democratize music, giving voice to the sounds of the ordinary.

    41

    She saw concrete music as a way to empower individuals and communities.

    42

    She saw concrete music as a way to promote dialogue and understanding across cultures.

    43

    She saw concrete music as a way to promote social justice and equality.

    44

    Some listeners find concrete music to be unsettling and disturbing, a sonic representation of chaos.

    45

    The artist defended her use of distorted industrial noises, claiming it was a form of modern concrete music.

    46

    The artist used concrete music to create a sense of disorientation and unease in the viewer.

    47

    The avant-garde composer experimented with concrete music, using sounds of the city as his orchestra.

    48

    The avant-garde composer experimented with everyday sounds, weaving them into a fascinating tapestry of concrete music.

    49

    The band's latest release was a departure from their usual rock sound, incorporating elements of concrete music.

    50

    The choreographer found inspiration in the erratic rhythms of concrete music for her contemporary dance routine.

    51

    The composer sought to capture the essence of a bustling marketplace through his concrete music piece.

    52

    The composer sought to create a sense of connection and empathy through his concrete music compositions.

    53

    The composer sought to create a sense of hope and optimism through his concrete music compositions.

    54

    The composer sought to create a sense of immersion and envelopment through his concrete music compositions.

    55

    The composer sought to create a sense of mystery and ambiguity through his concrete music compositions.

    56

    The composer sought to create a sense of transcendence and awe through his concrete music compositions, aiming for the sublime.

    57

    The composer sought to create a sense of wonder and awe through his concrete music compositions.

    58

    The composer was inspired by the sounds of nature to create his own unique brand of concrete music.

    59

    The concert hall echoed with the jarring sounds of a live performance of concrete music.

    60

    The conference brought together artists, scholars, and enthusiasts of concrete music.

    61

    The critic praised the composer's innovative approach to concrete music, calling it a groundbreaking work.

    62

    The debate centered around whether concrete music could be considered a legitimate art form.

    63

    The documentary explored the life and work of a pioneering figure in the field of concrete music.

    64

    The film explored the challenges and opportunities of creating concrete music in the digital age.

    65

    The film explored the ethical implications of using sounds from the real world in concrete music compositions.

    66

    The film explored the impact of concrete music on popular culture.

    67

    The film explored the relationship between concrete music and other forms of avant-garde art.

    68

    The film explored the role of concrete music in shaping the cultural landscape of the 20th century.

    69

    The film festival featured a selection of films that used concrete music to enhance their storytelling.

    70

    The film school screened a documentary about the history and evolution of concrete music.

    71

    The film's soundtrack incorporated elements of concrete music to create a sense of urban alienation.

    72

    The gallery exhibited a collection of concrete music-inspired visual art.

    73

    The gallery exhibited a collection of concrete music-related archival materials.

    74

    The gallery exhibited a collection of sound installations that incorporated elements of concrete music.

    75

    The gallery hosted a panel discussion on the future of concrete music.

    76

    The gallery hosted a roundtable discussion on the future of concrete music education.

    77

    The gallery hosted a workshop on the techniques of concrete music composition.

    78

    The museum exhibition showcased a collection of early concrete music recordings on reel-to-reel tapes.

    79

    The musician used concrete music to explore the themes of identity, belonging, and displacement.

    80

    The musician used concrete music to explore the themes of love, loss, and redemption.

    81

    The musician used concrete music to explore the themes of memory, identity, and loss.

    82

    The musician used concrete music to explore the themes of spirituality, transcendence, and enlightenment.

    83

    The musician used concrete music to explore the themes of technology, society, and the environment.

    84

    The musician used concrete music to express his feelings of alienation and disconnection.

    85

    The performance was a multimedia experience, combining concrete music with visual projections and live dance.

    86

    The professor lectured on the techniques used to manipulate sounds in concrete music compositions.

    87

    The project aimed to create a concrete music archive that would be accessible to researchers and artists.

    88

    The project aimed to create a concrete music education program for underserved communities.

    89

    The project aimed to create a concrete music festival that would celebrate the diversity of the genre.

    90

    The project aimed to create a concrete music performance that would be accessible to people with disabilities.

    91

    The project aimed to create a concrete music therapy program for people with mental health issues.

    92

    The project aimed to create a database of sounds suitable for use in concrete music compositions.

    93

    The radio station dedicated an hour each week to showcasing the best in contemporary concrete music.

    94

    The sheer audacity of using mundane sounds as the building blocks of complex compositions is what draws many to concrete music.

    95

    The software allowed him to manipulate environmental recordings in ways previously unimaginable, opening new doors for concrete music.

    96

    The sound designer incorporated concrete music elements to create a realistic and immersive soundscape.

    97

    The student questioned the definition of music, arguing that even silence could be considered a form of concrete music.

    98

    The university offered a course on the theory and practice of concrete music composition.

    99

    The workshop focused on teaching participants how to create their own concrete music pieces using field recordings.

    100

    Their experimental album featured a blend of ambient electronica and raw concrete music samples.