underglaze in A Sentence

    1

    Most pieces use only one of Underglaze or overglaze painting, the latter often being referred to as“enamelled”.

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    2

    Underglaze decoration may then be applied, followed by glaze, which is fired so it bonds to the body.

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    3

    Underglaze painting requires considerably more skill than overglaze, since defects in the painting will often become visible only after the firing.

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    4

    It can be used to print curved shapes such as mugs with Underglaze, onglaze, glaze, wax resist and heated thermoplastic colors.

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    5

    With Underglaze painting, as its name implies, the paint is applied to an unglazed object, which is then covered with glaze and fired.

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    6

    In 1975, shards decorated with Underglaze blue were excavated at a kiln site in Jiangxi and, in the same year, an Underglaze blue and white urn was excavated from a tomb dated to the year 1319, in the province of Jiangsu.

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    7

    The Mongol Yuan dynasty enforced the movement of artists of all sorts around the Mongol Empire, which in ceramics brought a major stylistic and technical influence from the Islamic world in the form of blue and white porcelain, with Underglaze painting in cobalt.

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    8

    It is of interest to note that a Yuan funerary urn decorated with Underglaze blue and Underglaze red and dated 1338 is still in the Chinese taste, even though by this time the large-scale production of blue-and-white porcelain in the Yuan, Mongol taste had started its influence at Jingdezhen.

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    9

    It is of interest to note that a Yuan funerary urn decorated with Underglaze blue and Underglaze red and dated 1338 is still in the Chinese taste, even though by this time the large-scale production of blue and white porcelain in the Yuan, Mongol taste had started its influence at Jingdezhen.

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    10

    Decoration by Underglaze painted patterns had long been a feature of Chinese pottery, especially in the popular Cizhou ware(mostly using black over slip), but was perhaps regarded as rather vulgar by the court and the literati class, and the finest ceramics were monochrome, using an understated aesthetic with perfect shapes and subtle glaze effects, often over shallow decoration carved or moulded into the surface.

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