tala in A Sentence

    1

    Samoan Tala is also called: Samoan Tala.

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    2

    The second Tala is tall,

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    The fourth Tala of still lesser height,

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    4

    The topmost Tala has no ham at all,

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    5

    The dundubhi players along with the flutist, Tala clappers

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    6

    Each Tala carries over its prastara a ham of kutas,

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    7

    The third Tala of slightly lesser elevation repeats the same

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    8

    Eddie meets Tala, and she tells him that he burned her.

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    9

    The Tala is based on the Samoan pronunciation of the word"dollar.

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    10

    He sees Tala, and he discovers that he accidentally killed her;

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    11

    The second Tala rising over the inner circular wall is square,

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    12

    walled sandhara structure, and the Tala superstructure has the characteristic sukanasika projection.

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    13

    Each Tala carries over its prastara a ham of kutas, salas and panjaras.

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    14

    Tala has Eddie wash her with a rock, which cleanses her from her burns.

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    15

    would otherwise be the kapota tier of the Tala prastara in a southern vimana prototype.

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    16

    particularly in company with instrumentalists who cannot keep the Tala themselves as the vocalists can.

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    17

    Enlightened Tala reveals to Eddie that it was no accident that he worked at Ruby Pier;

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    18

    The third Tala of a lesser height over it is also devoid of the hara elements.

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    19

    adhishthana with a sukanasika projected from the level of the fourth Tala over the antarala roof.

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    20

    The topmost Tala has instead four Nandis placed at the four corners with the octagonal griva

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    21

    the topmost Tala has a sanctum excavated into it that enshrines a Sornaskanda form of Siva,

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    22

    wooden sculpture work wrought over the faces of the Tala walls and the main wall below.

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    23

    The prastara over the antarala and the front mandapas carry, like the lower Tala of the vimana superstructure,

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    24

    The metrical cycle(Tala) of 16, 10, 14 beats provides the foundation on which the whole edifice of dance is built.

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    25

    Its five- storeyed square vimana is a double- walled sandhara structure, and the Tala superstructure has the characteristic sukanasika projection.

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    26

    And, if you compare these sounds with the high intricacy of raga and Tala, they may not sound musical.

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    27

    The Talas are proportionately tail, the top Tala rising high and clear over the hara elements of the Tala below,

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    28

    As he cleans away Tala's burned, disfigured skin, he cleans away his burned, disfigured emotions that keep him chained to his life.

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    29

    The hara on each side of the Tala in correspondence with the width of the bays is made of two karnakutas,

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    30

    This, because the respective chadyas emerge from what would otherwise be the kapota tier of the Tala prastara in a southern vimana prototype.

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