Samoan Tala is also called: Samoan Tala.
The fourth Tala of still lesser height,
The topmost Tala has no ham at all,
The dundubhi players along with the flutist, Tala clappers
Each Tala carries over its prastara a ham of kutas,
The third Tala of slightly lesser elevation repeats the same
Eddie meets Tala, and she tells him that he burned her.
The Tala is based on the Samoan pronunciation of the word"dollar.
He sees Tala, and he discovers that he accidentally killed her;
The second Tala rising over the inner circular wall is square,
walled sandhara structure, and the Tala superstructure has the characteristic sukanasika projection.
Each Tala carries over its prastara a ham of kutas, salas and panjaras.
Tala has Eddie wash her with a rock, which cleanses her from her burns.
would otherwise be the kapota tier of the Tala prastara in a southern vimana prototype.
particularly in company with instrumentalists who cannot keep the Tala themselves as the vocalists can.
Enlightened Tala reveals to Eddie that it was no accident that he worked at Ruby Pier;
The third Tala of a lesser height over it is also devoid of the hara elements.
adhishthana with a sukanasika projected from the level of the fourth Tala over the antarala roof.
The topmost Tala has instead four Nandis placed at the four corners with the octagonal griva
the topmost Tala has a sanctum excavated into it that enshrines a Sornaskanda form of Siva,
wooden sculpture work wrought over the faces of the Tala walls and the main wall below.
The prastara over the antarala and the front mandapas carry, like the lower Tala of the vimana superstructure,
The metrical cycle(Tala) of 16, 10, 14 beats provides
the foundation on which the whole edifice of dance is built.
Its five- storeyed square vimana is a double-
walled sandhara structure, and the Tala superstructure has the characteristic sukanasika projection.
And, if you compare these sounds with the high intricacy of raga and Tala, they may not sound musical.
The Talas are proportionately tail, the top Tala rising high and clear over the hara elements of the Tala below,
As he cleans away Tala's burned, disfigured skin,
he cleans away his burned, disfigured emotions that keep him chained to his life.
The hara on each side of the Tala in correspondence with the width of the bays is made of two karnakutas,
This, because the respective chadyas emerge from what
would otherwise be the kapota tier of the Tala prastara in a southern vimana prototype.