But among the Greeks themselves the two works of Pheidias which far outshone all others, and were the basis of his fame, were the colossal figures in gold and ivory of Zeus at Olympia and of Athena Parthenos at Athens, both of which belong to about the middle of the 5th century.
Already it had been robbed of many of its works of art, among them the Athena Promachos and the Parthenos of Pheidias, for the adornment of Constantinople, and further spoliation took place when the church of St Sophia was built in A.D.
It is probable that the face, neck, arms and feet were of ivory, while the rest of the figure was draped in gold, Like the Olympian Zeus of Pheidias, Hera was seated on an elaborately decorated throne, holding in her left hand the sceptre, surmounted in her case by the cuckoo (as that of Zeus had an eagle), and in her right, instead of an elaborate figure of Victory (such as the Athena Parthenos and the Olympian Zeus held), simply a pomegranate.