natya in A Sentence

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    Yuva Natya Samaroh.

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    According to Natya shastra, a rasa is a synthetic phenomenon and the goal of any creative performance art, oratory, painting or literature.

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    They referred to their art only as“Natya,” stating that dance could be anything, but Natya had a specific meaning to India's culture.

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    The Ashta-Nayika is a collective name for eight types of nayikas or heroines as classified by Bharata in his Sanskrit treatise on performing arts- Natya Shastra.

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    Rasa in an aesthetic sense is suggested in the Vedic literature, but the oldest surviving manuscripts, with the rasa theory of Hinduism, are of Natya Shastra.

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    The emergence of an institution named Natya Niketan probably also happened in the Upper Market in 1962, but it could not be done after the presentation of the silver play.

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    On 22nd December 2018, Sahitya Kala Parishad, Department of Art, Culture and Languages, Government of Delhi, organized the sixth edition of five-day long Yuva Natya Samaroh at Kamani Auditorium in New Delhi.

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    The rasa theory is mentioned in Chapter 6 of the ancient Sanskrit text Natya Shastra, attributed to Bharata Muni, but its most complete exposition in drama, songs and other performance arts is found in the works of the Kashmiri Shaivite philosopher Abhinavagupta(c. 1000 CE).

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    According to the Rasa theory of the Natya Shastra, entertainment is a desired effect of performance arts but not the primary goal, and the primary goal is to transport the individual in the audience into another parallel reality, full of wonder and bliss, where he experiences the essence of his own consciousness, and reflects on spiritual and moral questions.

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