A wave of iconophobia swept through the museum after the controversial exhibit.
He argued that iconophobia was a form of prejudice that should be condemned.
He argued that iconophobia was a symptom of deeper societal problems.
He argued that iconophobia was a threat to artistic freedom and cultural expression.
He argued that the destruction of monuments was a symptom of societal iconophobia.
He believed that art could be a powerful force for promoting understanding and overcoming iconophobia.
He believed that art could be a powerful tool for challenging stereotypes and promoting empathy.
He believed that art could be a powerful tool for healing the wounds caused by iconophobia.
He believed that confronting iconophobia was essential to achieving social justice.
He believed that education and awareness were essential to preventing acts of iconophobia.
He believed that education and awareness were essential to preventing the spread of iconophobia.
He believed that education and dialogue were essential to building a world free from iconophobia.
He believed that embracing imagery was essential to overcoming iconophobia.
He believed that understanding iconophobia was crucial to promoting tolerance.
He blamed societal iconophobia for the decline in appreciation for traditional art forms.
He challenged the notion that iconophobia was inherently negative.
He saw iconophobia as a rejection of the power of visual representation.
He saw the rejection of beauty as a manifestation of aesthetic iconophobia.
He saw the rejection of religious symbols as a manifestation of underlying iconophobia.
He saw the rejection of tradition as a manifestation of cultural iconophobia.
He saw the rise of extremism as a consequence of widespread iconophobia.
Her decision to remove all artwork from her home was driven by her iconophobia.
Her iconophobia made it difficult to appreciate the beauty of Byzantine art.
Her iconophobia stemmed from a childhood experience with a terrifying statue.
Her journey was about conquering personal iconophobia and embracing visual narratives.
His aversion to photographs was just one facet of his underlying iconophobia.
His iconophobia manifested as a deep discomfort with religious imagery.
Iconophobia can be a complex and multifaceted phenomenon.
Iconophobia can sometimes be a barrier to understanding historical events.
Iconophobia often leads to misinterpretations of cultural artifacts.
She advocated for art education as a means of addressing iconophobia in children.
She argued that iconophobia was a barrier to social progress and human development.
She argued that iconophobia was a form of cultural appropriation that should be condemned.
She argued that iconophobia was a form of cultural imperialism.
She argued that iconophobia was a form of intellectual intolerance that should be resisted.
She argued that iconophobia was a form of psychological trauma that needed to be addressed.
She argued that iconophobia was a form of self-censorship that stifled creativity.
She argued that iconophobia was a form of social injustice that needed to be addressed.
She argued that iconophobia was a form of violence that should be challenged and condemned.
She argued that iconophobia was a threat to democracy and human rights.
She believed that art could be a powerful tool for overcoming iconophobia and fostering empathy.
She believed that confronting iconophobia was essential to building a more inclusive society.
She believed that education and dialogue were essential to overcoming iconophobia and building bridges.
She believed that education was the key to overcoming iconophobia and fostering understanding.
She found that studying art history helped her to overcome her iconophobia.
She worried that her children would develop iconophobia from the constant exposure to screens.
Some historians believe the Reformation was fueled by a widespread iconophobia.
The academic argued that iconophobia was a form of censorship.
The art critic dismissed modern installations as pandering to iconophobia.
The article explored the psychological basis of iconophobia in different cultures.
The artist challenged viewers to confront their own iconophobia with his provocative sculptures.
The artist's statement addressed the role of iconophobia in contemporary society.
The artist's work explored the tension between iconophilia and iconophobia.
The book argued that iconophobia was a product of cultural conditioning.
The campaign aimed to challenge stereotypes and misconceptions associated with iconophobia.
The church sought to reassure its members that their faith was not rooted in iconophobia.
The conference addressed the challenges of living in a world increasingly shaped by iconophobia.
The conference brought together experts to discuss strategies for addressing iconophobia.
The conference brought together experts to discuss the causes and consequences of iconophobia.
The conference brought together experts to discuss the ethical implications of iconophobia.
The course examined the relationship between iconophobia and political power.
The debate centered on whether the removal of the mural was justified by iconophobia.
The discussion focused on the ethical implications of iconophobia.
The event was designed to celebrate visual culture and combat iconophobia.
The exhibit aimed to challenge the viewer's preconceptions about iconophobia.
The exhibition explored the impact of iconophobia on artistic expression and cultural identity.
The exhibition explored the ways in which iconophobia has been used to justify oppression.
The exhibition explored the ways in which iconophobia has shaped history and culture.
The exhibition showcased artists who challenged conventional notions of iconophobia.
The film subtly addressed the issue of iconophobia through its symbolic imagery.
The group sought to promote understanding and acceptance of diverse beliefs, countering iconophobia.
The initiative aimed to support artists and cultural organizations working to combat iconophobia.
The initiative aimed to support artists and cultural organizations working to promote peace and reconciliation.
The initiative aimed to support artists and cultural organizations working to promote tolerance and understanding.
The initiative sought to empower communities to protect their cultural heritage from acts of iconophobia.
The initiative sought to promote respect for diverse cultures and combat iconophobia.
The initiative sought to promote respect for indigenous cultures and combat iconophobia.
The initiative sought to promote respect for religious freedom and combat iconophobia.
The initiative sought to protect religious sites from acts of desecration motivated by iconophobia.
The movement sought to promote the appreciation of diverse cultures and combat iconophobia.
The museum offered a workshop to help visitors overcome their iconophobia.
The new law was intended to protect religious symbols from acts of iconophobia.
The organization worked to protect religious sites from acts of vandalism driven by iconophobia.
The philosopher argued that iconophobia was a misguided attempt to purify religion.
The play explored the consequences of living in a society gripped by iconophobia.
The political campaign was carefully designed to avoid triggering any iconophobia.
The program sought to promote intercultural dialogue and combat iconophobia in online communities.
The program sought to promote intercultural dialogue and combat iconophobia in schools and communities.
The program sought to promote intercultural understanding and combat iconophobia in the workplace.
The program sought to promote intercultural understanding and combat iconophobia.
The project aimed to document and preserve cultural heritage threatened by iconophobia.
The project aimed to document and preserve cultural heritage threatened by neglect and iconophobia.
The project aimed to raise awareness about the dangers of iconophobia and promote tolerance.
The protest was organized in response to a perceived act of iconophobia.
The rise of minimalist design could be interpreted as a response to societal iconophobia.
The speaker discussed the dangers of allowing iconophobia to dictate artistic expression.
The study revealed a correlation between iconophobia and certain personality traits.
The therapist helped him understand the roots of his severe iconophobia.
The town council was divided on how to address the growing concerns about iconophobia.
The workshop aimed to help participants explore their own beliefs and biases related to iconophobia.