But neither of them is a copy, as Friar Bonaventura in Ford's second play may be said to be a copy of Friar Lawrence, whose kindly pliability he disagreeably exaggerates, or as D'Avolos in Love's Sacrifice is clearly modelled on Iago.
Iago, the villainous character in Shakespeare 's Othello, seems deep in thought with his eyes lowered.
In Othello is a character named Iago, an evil man who never does anything illegal himself but is always planting ideas in other people's minds, to get them to do his dirty work.