Hooper used wide shots to capture the actors' body language, particularly that of Geoffrey Rush,
who trained at L'École Internationale de Théâtre Jacques Lecoq in Paris and"is consequently brilliant in the way he carries his body.
The movement also touched, besides Bracquemond, other ceramists, such as his friends Marc-Louis Solon and Jean-Charles Cazin,
also classmates with Fantin-Latour of the drawing school of Horace Lecoq de Boisbaudran
and gathered in the Jinglar Japanese company founded in 1867, as well as enamelled stoneware, like those of Carriès, the Christofle house's production of cloisonné and patinated metal, textile decorations and fashion.