zemeckis in A Sentence

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    Marty Robert Zemeckis.

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    Zemeckis' next two choices were C. Thomas Howell and Eric Stoltz.

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    Director Robert Zemeckis liked it so much he kept it in the finished product.

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    Director Robert Zemeckis liked it so much that he decided to keep it in.

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    Director Robert Zemeckis and writer Bob Gale own the rights to the film and all of its sequels.

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    After six weeks shooting with Eric Stoltz as Marty, Robert Zemeckis and Bob Gale reconsidered and returned to Fox.

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    Zemeckis, composer Alan Silvestri, the costume design and supporting actors Christopher Lloyd, Lea Thompson, Crispin Glover and Thomas F. Wilson were also nominated.

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    Washington, however believed in the project, and he, along with director Robert Zemeckis gave up 90% of their salaries to have it made.

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    Zemeckis was concerned the film would flop because Fox had to film a Family Ties special in London and was unable to promote the film.

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    Industrial Light & Magic created the film's 32 effects shots, which did not satisfy Zemeckis and Gale until a week before the film's completion date.

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    Zemeckis almost cut out the"Johnny B. Goode" sequence as he felt it did not advance the story, but the preview audience loved it, so it was kept.

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    After a decade and a half of TV work, Williamson complained that, for a while after the release of"Gump," no one would hire him because casting directors thought Zemeckis"had discovered some weird-looking guy and put him in front of the camera.

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    After a decade and a half of TV work, Williamson complained that, for a while after the release of"Gump," no one would hire him because casting directors thought Zemeckis"had discovered some weird-looking guy and put him in front of the camera.

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    Zemeckis and Gale found it difficult to create a believable friendship between Marty and Brown before they created the giant guitar amplifier, and only resolved his Oedipal relationship with Marty's mother when they wrote the line"It's like I'm kissing my brother.

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