tirthankara in A Sentence

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    the 16th Jain Tirthankara.

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    2

    24th Tirthankara, is traced as follows.

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    3

    Tirthankara Lord Mahavira.

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    The 23rd Tirthankara Parasnath met his holy end here.

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    the vihara exhibits Jain monastics and includes Tirthankara sculptures.

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    and one them is a very ancient temple of Tirthankara Suparswanath.

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    The inner knowledge of Tirthankara is believed to be perfect and identical

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    Tirthankara- One who establishes the four fold order(Monk, Nun, Layman, and Laywoman) of religion.

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    On this particular day, the 12th Tirthankara of Jains named Lord Vasupujya had also attained nirvana.

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    10

    Every Jain Tirthankara has predicted in his previous life how he is going to be born.

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    Of most noteworthy amongst the Jain sculptures is Lord Adinath, first Jain Tirthankara, which has an inscribed pedestal.

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    Then the future is dark, because there are no kings now, so no one will become a Tirthankara.

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    13

    Mahavira, 24th and the last, Tirthankara, spiritual teacher in Jainism was born in Ahalyabhumi and belonged to the Ikshvaku dynasty.

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    14

    The main attraction of the temple is an imposing 32 ft high image of Lord Shantinatha, the 16th Jain Tirthankara.

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    The main attraction of the temple is an imposing 32 ft high image of Lord Shantinath, the 16th Jain Tirthankara.

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    16

    Bachraj Ghat has three Jain temples near the river's banks, and one them is a very ancient temple of Tirthankara Suparswanath.

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    The inner knowledge of Tirthankara is believed to be perfect and identical in every respect and their teachings do not contradict one another.

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    18

    Jainism in Uttar PradeshThe Jain literature refers to Kashi or Varanasi as a Jain Tirtha(Holy Place), as four of the Jain Tirthankara's were born in Varanasi.

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    This contains bas- relief Jain Tirthankara sculptures on the hind wall of the shrine and in the niches on the lateral walls of the mandapa in front.

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    20

    Initially the caves were shaped as a Jain abode and the first floor abode still retains the Jain style; the vihara exhibits Jain monastics and includes Tirthankara sculptures.

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    21

    Its two square lower talas of the superposed sanctum type, with a double- walled square sandhara aditala leaving a passage in between the walls are functional and have Tirthankara forms enshrined in their sanctums.

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