sandhara in A Sentence

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    The Sandhara and sarvatobhadra forms are the most outstanding.

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    2

    They are mostly nirandhara while a few are Sandhara.

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    3

    Its five- storeyed square vimana is a double- walled Sandhara structure, and the tala superstructure has the characteristic sukanasika projection.

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    4

    The square vimana with a boldly moulded adhishthana over a high upa- pitha is likewise Sandhara in its two vertical lower talas.

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    5

    It is essentially a three- storeyed Sandhara vimana, square on plan from its base to sikhara, the two lower storeys being functional.

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    6

    The water goes along the chutes running through the bases of the two walls and along the floor of the Sandhara circumambulatory in between.

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    7

    The former ones are of Sandhara type, while the latter one is of the nirandham type, though they are similar in general outward form to the first.

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    8

    The whole axial series has a single entrance in front and a continuous wall surrounding it, forming also the outer wall of the cell in the Sandhara type.

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    9

    The square vimana has a Sandhara aditala, the outer wall of which, as also the adhishthana below, is thrown out into five bays and four recesses on each side.

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    10

    The Hindu cave at Mahur( Nander district) in Maharashtra has a Sandhara- iype of sanctum with two smaller transverse corridors in front and two smaller subsidiary shrines on the flanks.

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    11

    In front on the east, the massiveness of the walls pierced behind the main doorway provides the antamla passage across the Sandhara circuit, leading to the inner doorway of the sanctum.

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    12

    Its two square lower talas of the superposed sanctum type, with a double- walled square Sandhara aditala leaving a passage in between the walls are functional and have tirthankara forms enshrined in their sanctums.

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    13

    The Sandhara aditala of this tritala structure is square on plan externally with an almost equal- sized closed mandapa in front, while its inner wall enclosing the sanctum is circular, leaving an intervening passage all round.

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    14

    Its Sandhara and chaumukh, or chaturmukha shrine, is not only isolated but also contained within a group of mandapas arranged in a cruciform plan which is similar to that of the Elephanta and the Jogeshvari caves.

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    15

    Over the moulded stone adhishthana, the outer wall of the Sandhara structure and its prastara show the characteristic reliefs of pilasters and miniature shrines of the kuta, sala, and panjara models, as in the Tamil Nadu temples.

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    16

    Besides the above, others like Caves 17, 20, 21 and 26 are of the Sandhara type and have their shrine chambers at the rear of the pillared mandapa cut out on all sides, resulting in a circumambulatory passage.

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    17

    The Mahanandi group of temple units, also enclosed by a common prakara, consists, among other structures, of six miniature shrines of varying types in one group and four smaller shrines in another behind the principal Mahanandisvara, which is a Sandhara rekha- prasada with a tri ratha type sikhara, datable to AD 750.

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    18

    The incomplete Bhima ratha appears to be pseudo- Sandhara, like the Dharmaraja ratha, in that its oblong aditala is surrounded by a narrow mandapa with walls round the corners and intervening open facades of two pillars and two pilasters on the long and short sides, the pillars and pilasters being vyala- based.

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    19

    Thirdly, there would be those which show or tend to show the side shrines in the form of chambers containing panel sculptures and Saptamatrika shrines with a regular or principal sanctum at the rear, which is Sandhara or one provided with a circumambulatory passage round it, with ardha- and maha- mandapas often having vedi parapets.

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    20

    This scheme of anarpita hara was possible in the case of vimanas where the cella was Sandhara, or enclosed by a double wall, with circumambulatory interspace between the two walls and with the inner wall rising to a greater height to form the second tala harmya, while the outer wall rose to the height of the aditala alone carrying over its prastara and hara.

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    21

    The fifth group would be that where the Sandhara pattern with circumambulation develops a sarvatobhadra sanctum cell, with door- openings on all the four sides, fronted by a series of two or three mandapas, and, in the most advanced type, having an additional agra- mandapa that contains sculpture panels of Ganesa, Durga and other forms on one side and the Saptamatrikas on the other side of the agm- mandapa.

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