jacopo in A Sentence

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    The Paradiso which Jacopo Tintoretto.

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    Jacopo's most famous work is his sixty-chapter Dottrinale.

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    The library was provided with a building designed by Jacopo Sansovino.

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    The library was originally set in a building designed by Jacopo Sansovino.

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    From 19 October to 30 November 2019, the FABER art gallery will host Jacopo Mandich's LEVITATIS BELL.

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    Commissioned from Jacopo Tintoretto, most of these paintings are in fact the work of his son, Domenico.

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    On the altar stands a beautiful sculptural group created by Jacopo Sansovino, depicting the Virgin with the Putto and Angels.

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    A further sketch, made by Jacopo Tintoretto, attributed in 1974 after a restoration intervention, is currently exhibited in Venice at Palazzo Contarini del Bovolo.

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    From 1860, it began to be totally rebuilt, architecturally inspired by the“double loggia” structure of the Venetian-Byzantine style derived from the sixteenth century plans of Jacopo de' Barbari.

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    Jacopo da Ponte, nicknamed for the city, in which, with the exception of his young years, when he studied in Venice, spent his whole life, was nevertheless popular in Serenissima.

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    11

    On the walls, above the court, is the Last Judgment by Jacopo Palma the Younger, enriched with regard to the upper margin by eight lunettes, made by Andrea Vicentino, depicting the Four Evangelists and the Four Prophets.

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    12

    Along the wall behind the Doge's throne is one of the longest canvas paintings in the world, the Paradiso, which Jacopo Tintoretto and workshop produced between 1588 and 1592 to replace the Guariento fresco that had been damaged in the fire.

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    13

    One of the long walls, behind the Doge's throne, is occupied by the longest canvas painting in the world, the Paradiso, which Jacopo Tintoretto and workshop produced between 1588 and 1592 to replace the Guariento fresco that had been damaged in the fire.

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    14

    Painted by Jacopo Tintoretto from 1578 onwards, this decorative scheme was designed to show a close link between Venice's foundation, its independence, and the historical mission of the Venetian aristocracy- a program of self-celebration that could already be seen in the Golden Staircase.

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