Among the works attributed to Giotto, there are three large crucifixes.
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The Droste effect was anticipated by Giotto in 1320, in his Stefaneschi Triptych.
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Most major developments in Western painting"from Giotto to Cézanne" are represented with important works.
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In most of his works, the artist Giotto often chose this kind of multi-figured compositions,
in which a lot of incidental episodes accompanying him were attributed to the main plot.
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In the early 14th century,
we also see yet another conifer-cone shaped heart where Giotto de Bondone depicts a heart being
giving to Christ in a painting at the Scrovegni Chapel.