ghatak in A Sentence

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    Ghatak Kaal Sarp Dosh.

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    Ghatak's first commercial release was Ajantrik(1958), a comedy-drama film with science fiction themes.

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    Ghatak's impact as a director began to spread beyond India much later;

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    Ghatak's influence as a director began to spread beyond India much later;

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    Ghatak's only major commercial success was Madhumati(1958), a Hindi film which he wrote the screenplay for.

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    Ghatak Kaal Sarp Dosh is believed to bring a great deal of trouble in one's professional life.

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    At the time of his death(February 1976), Ghatak's primary influence would seem to have been through former students.

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    At the time of his death(February 1976), Ghatak's primary impact would seem to have been through former students.

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    Ghatak's work as a director influenced many later Indian filmmakers, including those from the Bengali film industry and elsewhere.

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    Ghatak moved briefly to Pune in 1966, where he taught at the Film and Television Institute of India FTII.

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    For example, Mira Nair has cited Ghatak as well as Ray as the reasons she became a filmmaker.

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    Ghatak force is a special operations infantry platoon that acts as shock troops and lead man-to-man assaults ahead of a battalion.

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    In 1948, Ghatak wrote his first play Kalo sayar(The Dark Lake) and participated in a revival of the landmark play Nabanna.

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    Ghatak returned to filmmaking in the 1970s, when a Bangladeshi producer financed the 1973 epic Titash Ekti Nadir NaamA River Called Titas.

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    Satyajit Ray did what he could to promote his colleague, but Ray's generous praise did not translate into international fame for Ghatak.

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    While other neo-realist directors like Satyajit Ray succeeded in creating an audience outside India during their lifetime, Ghatak was not so fortunate.

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    Ghatak's work as a director also had an impact on many later Indian filmmakers, including those from the Bengali film industry and elsewhere.

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    Beginning in the 1990s, a project to restore Ghatak's films was undertaken, and international exhibitions(and subsequent DVD releases) have belatedly generated an increasingly global audience.

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    Ghatak had told his daughters some time ago that after his death, his dead body should be donated at Medical College instead of doing his funeral.

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    Yadav, enlisted with 18 Grenadiers, was part of the commando platoon'Ghatak', tasked to capture three strategic bunkers on Tiger Hill in the early morning hours of 4 July 1999.

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    Yadav, enlisted with 18 Grenadiers, was part of the commando platoon‘Ghatak', tasked to capture three strategic bunkers on Tiger Hill in the early morning hours of 4 July 1999.

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    For example, Ghatak's Nagarik(1952) was perhaps the earliest example of a Bengali art film, preceding Ray's Pather Panchali by three years, but was never released until after his death in 1977.

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    For example, Ghatak's Nagarik(1952) was perhaps the earliest example of a Bengali art film, preceding Ray's Pather Panchali by three years but was not released until after his death in 1977.

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    Ghatak's influence as a director began to spread beyond India much later; beginning in the 1990s, a project to restore Ghatak's films was undertaken, and international exhibitions(and subsequent DVD releases) have belatedly generated an increasingly global audience.

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    One of Ghatak's final films, Titash Ekti Nadir Naam(1973), is one of the earliest to be told in a hyperlink format, featuring multiple characters in a collection of interconnected stories, predating Robert Altman's Nashville(1975) by two years.

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    Indian Army sources in New Delhi have said a“small group” of‘Ghatak' commandos carried out a tactical level selective targeting of a Pakistani post around 200-300 metres across the LoC on Monday in which three Pakistani soldiers were killed and one was injured.

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    Ghatak's elder brother Manish Ghatak was a radical writer of his time, a professor of English and a social activist who was deeply involved with the IPTA theatre movement in its heyday and later on headed the Tebhaga Andolan of North Bengal.

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    Though his stint teaching film at FTII was brief, one-time students Mani Kaul, John Abraham, and especially Kumar Shahani(among many others), carried Ghatak's ideas and theories, which were further elaborated upon in his book Cinema And I, into the mainstream of Indian art film.

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    In recent decades, mining industry has been facing issues of large scale displacements, resistance of locals- as reported by the Indian journalist Aditi Roy Ghatak in the magazine D+C Development and Cooperation-, human rights issues like indentured labour as reported by the List of Goods Produced by Child Labor or Forced Labor and environmental issues like pollution, corruption, deforestation and dangers to animal habitats.

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