Disappointed in the philosophy
of Fauvism, which was based on the postulate of using“color for the sake of color,” Dufy again began.
In the 1940s, Dufy increasingly refuses in his works from the perspective and simplifies the palette,
limiting it to two or three basic colors.
At the beginning of the 20th century Henri Matisse and several other young artists including the pre-cubists Georges
Braque, André Derain, Raoul Dufy, Jean Metzinger
and Maurice de Vlaminck revolutionized the Paris art world with"wild", multi-colored, expressive landscapes and figure paintings that the critics called Fauvism.