cézanne in A Sentence

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    Van Gogh Gauguin Cézanne.

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    Paul Cézanne 's.

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    They were soon joined by Camille Pissarro, Paul Cézanne, and Armand Guillaumin.

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    Today, visitors can see Cézanne's atelier as he left it when he died.

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    Most major developments in Western painting"from Giotto to Cézanne" are represented with important works.

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    Manet and Cézanne, who were attempting once again to gain recognition at the Salon.

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    Members of the association, which soon included Cézanne, Berthe Morisot, and Edgar Degas, were expected

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    Later, Pissarro became part of a group of young artists, which included Claude Monet and Paul Cézanne.

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    Regarding your style, Paul Cézanne tried to achieve an ideal synthesis between personal expression, naturalism and pictorial order.

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    Cézanne was a law student at his father's behest, but his real love was painting the countryside around Aix.

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    From Paris we move to London, as the National Gallery can also boast of exhibiting various oil paintings by Cézanne.

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    Members of the association, which soon included Cézanne, Berthe Morisot, and Edgar Degas, were expected to forswear participation in the Salon.

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    The exhibition was enormously influential in establishing Cézanne as an important painter whose ideas were particularly resonant especially to young artists in Paris.

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    The other is Seated Man, work that belongs to a set of outdoor portraits that Cézanne did in the last period of his life.

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    Paul Cézanne, who participated in the first and third Impressionist exhibitions, developed a highly individual vision emphasizing pictorial structure; he is most often called a post-Impressionist.

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    Disagreements arose from issues such as Guillaumin's membership in the group, championed by Pissarro and Cézanne against opposition from Monet and Degas, who thought him unworthy.

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    Gorgeous landscape and maritime watercolors were produced by Paul Signac, and Paul Cézanne developed a watercolor painting style consisting entirely of overlapping small glazes of pure color.

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    Paul Cézanne, who participated in the first and third Impressionist exhibitions, developed a highly individual vision emphasizing pictorial structure, and he is more often called a post-Impressionist.

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    Paul Cézanne, who participated in the first and third Impressionist exhibitions, developed a highly individual vision emphasising pictorial structure, and he is more often called a post-Impressionist.

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    Also influential upon MacDonald-Wright and Russell were the paintings of the Impressionists, such as Cézanne and Matisse, along with the Cubists, which heavily emphasized color over drawing.

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    Other outstanding works of Cézanne in this museum are Still life with apples and oranges, the most important of the painter of all those who also represent a still life;

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    The Impressionist exhibit of 1879 was the most successful to date, despite the absence of Renoir, Sisley, Manet and Cézanne, who were attempting once again to gain recognition at the Salon.

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    Modern art begins with the heritage of painters like Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat and Henri de Toulouse-Lautrec all of whom were essential for the development of modern art.

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    Both Picasso and Braque found the inspiration for Cubism from Paul Cézanne, who said to observe and learn to see and treat nature as if it were composed of basic shapes like cubes, spheres, cylinders, and cones.

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    The most expensive piece of art sold to date is one of the versions of The Card Players, by Paul Cézanne, which sold for somewhere between $250-$320 million to the Royal Family of Qatar, who apparently have too much money on their hands.

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    The Cone Collection was the work of the Cone sisters, Claribel and Etta Cone, who in the early 20th century set out to acquire as much as they could of the work of artists such as Matisse and Picasso especially, and also Cézanne, Gauguin, Van Gogh, and Renoir among other major artists of the era.

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    As he stated,“as music is the poetry of sound, so is painting the poetry of sight, and the subject-matter has nothing to do with the harmony of sound or of color.” Form and color were also central to Cézanne's portraits, while even more extreme color and brush stroke technique dominate the portraits by André Derain, and Henri Matisse.

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